One of the most terrifying things about being a writer
If I’m going to write a true story that resonates with my audience I have to live it out. It has to have been a part of my life. Since I write thrillers and dark fantasy, that means that dark forces that have been at play in my life or are presently in the works can be quite overwhelming. This is not a hands off enterprise. Writing cuts to the core of my life and life experience, relationships, profession, dream, and nightmares. If I could only research stuff from a distance and then write in a compelling way about that, that would be one thing; but as it is I have to live this out. The story is a living breathing thing within my life before it hits the page, and then once its on the page, and then on from there. The Unholy is about terrifying religious encounters. This is something that I was raised with, fought my own battles about, treated people for clinically, and finally found that I was smack dab in the middle of writing a story that could not be stopped. It had to come out. Frightening, very frightening to live this close to one’s work. There were times that it effected my family, and I had to wonder whether I should withdraw; but we all talked and I had their support. I have it now. The arms of creativity stretch long and influence oneself and others who are in the emotional and psychic vortex of one’s existence. The energy, the psychological amalgam, of this is so intense and persuasive that nothing short of challenging and amazing can be said to even faintly describe it.
Paul DeBlassie III
A young curandera, a medicine woman, intent on uncovering the secrets of her past is forced into a life-and-death battle against an evil Archbishop. Set in the mystic land of Aztlan, The Unholy is a novel of destiny as healer and slayer. Native lore of dreams and visions, shape changing, and natural magic work to spin a neo-gothic web in which sadness and mystery lure the unsuspecting into a twilight realm of discovery and decision.
Read an excerpt:
Read an excerpt:
Lightning streaked across a midnight dark sky, making the neck hairs of a five-year-old girl crouched beneath a cluster of twenty-foot pines in the Turquoise Mountains of Aztlan stand on end. The long wavy strands of her auburn mane floated outward with the static charge. It felt as though the world was about to end.
Seconds later, lightning struck a lone tree nearby and a crash of thunder shook the ground. Her body rocked back and forth, trembling with terror. She lost her footing, sandstone crumbling beneath her feet, and then regained it; still, she did not feel safe. There appeared to be reddish eyes watching from behind scrub oaks and mountain pines, scanning her every movement and watching her quick breaths. Then everything became silent.
The girl leaned against the trunk of the nearest tree. The night air wrapped its frigid arms tightly around her, and she wondered if she would freeze to death or, even worse, stay there through the night and by morning be nothing but the blood and bones left by hungry animals. Her breaths became quicker and were so shallow that no air seemed to reach her lungs. The dusty earth gave up quick bursts of sand from gusts of northerly winds that blew so fiercely into her nostrils that she coughed but tried to stifle the sounds because she didn’t want to be noticed.
Paul DeBlassie III, Ph.D., is a psychologist and writer living in Albuquerque who has treated survivors of the dark side of religion for more than 30 years. His professional consultation practice — SoulCare — is devoted to the tending of the soul. Dr. DeBlassie writes fiction with a healing emphasis. He has been deeply influenced by the mestizo myth of Aztlan, its surreal beauty and natural magic. He is a member of the Depth Psychology Alliance, the Transpersonal Psychology Association and the International Association for Relational Psychoanalysis and Psychotherapy.
Amazon Author Page: http://www.amazon.com/Paul-DeBlassie-III/e/B00E5TBJXY/ref=ntt_athr_dp_pel_pop_1
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